The film was so much more enjoyable than I thought it would be from watching the trailers. He contacts a guy who knows the ins and outs of the world of magic, Thaddeus Bradley. This, instead of providing a coherent narrative that would allow an adult audience to cheerfully maintain a willing suspension of disbelief. I couldn't buy the ultimate reveal about the real identity and motives of the Mark Ruffalo character, either. The supporting cast consists of Isla Fisher, Melanie Laurent, Morgan Freeman, Dave Franco, and Michael Caine.
The film stars Jesse Eisenberg as Michael Atlas, Mark Ruffalo as Dylan Hobbs, and Woody Harrelson as Merritt Osbourne. Morgan Freeman and Woody Harrelson stealing the show, of course, with Dave Franco doing a bang up job with some incredible physical acting, stunts and so forth. Character development is sorely lacking in Now You See Me, to where I never really cared about any of the characters. What follows is a bizarre investigation where nothing is what it seems with illusions, dark secrets and hidden agendas galore as all involved are reminded of a great truth in this puzzle: the closer you look, the less you see. The total impression is of a promising film idea that fell on its own very expensive sword. I enjoy magic and I could watch Morgan Freeman or Michael Caine in almost anything now proved. Entertaining to a point but I got a bit bored, and some of the scenes were too long - chases etc.
But it's equally imperative that the pursuing detective can retrieve a stack of papers from the wrecked car. Sure it won't win any Oscars but it takes a road at the end that nobody would see coming. Like a magic show without magic, you may find yourself somewhat entertained but inevitably wind up disappointed in the end because they left out the most important part of the show. All the while, apparently real traffic zooms along with presumably untrained and unprepared public going about normal business. Oleh Layarkaca21 Synopsis Four magicians each answer a mysterious summons to an obscure address with secrets inside. Leterrier and company are constantly trying to balance the breakneck pace with the large cast of characters, and it just leaves the characters hanging out to dry. The first is robbing money of a bank in Paris while they're in Las Vegas, then is exposing criminal and transfer the entire millions of dollars amount in his account to all the viewers are watching, that makes the authorities give up.
Part of this is because the film is constantly shifting points of view. Not necessarily, but it's a fun movie that deconstructs the acts of modern magicians. Mark ruffalo, Morgan freeman, and woody harrelson. They must find out who this person is before the Four Horsemen pull of their final trick. If you are a fan of heist films or magic you'll enjoy it, or are a fan of particular actors, or will just enjoy it for what it is and don't want to be challenged intellectually, it's a great film.
The way he is planted in relation to earlier events seems like an afterthought. The storyline turns into a madhouse of improbabilities and then rationalizes its real business like a pathological liar. However, the script often falters in one of the most crucial areas, that of character. Time is running out, but there are no leads. After several fun scenes and a promising opening sequence that made me want to care about the characters, I discovered a film in search of a plot and utterly lacking intellectual integrity and respect for the audience. Spoler Alert: Stop reading here if you would like to watch this movie without knowing anything about the late scenes, reveals, and reversals!!! The plot is convoluted as we don't know what the main characters are doing or why.
For the case, he is partnered up with special agent Alma Vargas. Four magicians each answer a mysterious summons to an obscure address with secrets inside. What a travesty to the promising themes of magic and old rivalries, treated so well in other recent films. Now You See Me is about a magician team led by talented leader Atlas, performs two magic repertoires extremely impressive. And somehow the magicians have stuffed a replacement body from the morgue into an identical car just before turning it into a time-bomb. I focus on the twists and reveal because as a heist movie, the end is the big reveal. As well, if you want a film with twists and turns, this one will not disappoint.
I don't know what happened, but it looks like it got battered and morphed around and rewritten by multiple teams of writers. And what a waste of a beautiful all-star cast, so entertaining as individuals in the early scenes. The total feeling is that the story got killed and Frankensteined back together multiple times. Overall I was surprised at how good the story was. A year later, they are the Four Horsemen, big time stage illusionists who climax their sold out Las Vegas show with a bank apparently robbed for real. The film begins introducing a group of magicians that perform in Las Vegas. Now You See Me is a dramatic thriller that was released in 2013.
We got to the movies to be entertained and lose ourselves for 2 hours for a price of an admission ticket. I felt like the director was content to dazzle us with action and effects and to take our money while demanding our total credulity on the plot points, using the angle provided by magic in a rather disingenuous way. He is trying to stop them before they pull off another incredible stunt. I felt intellectually raped, to put it bluntly. Now You See Me 2013 Subtitles Four magicians each answer a mysterious summons to an obscure address with secrets inside.
This film tries to be a lot more intelligent than it actually is. I went out for entertainment and leisure and in good company and high spirits, not at all for the purpose of writing a critical review. It is directed by Louis Leterrier, and it was written by Ed Solomon and Boaz Yakin. As time progresses, Dylan starts to suspect that maybe Thaddeus, or even Alma could be the outsider he is looking for. A year later, they are the Four Horsemen, big time stage illusionists who climax their sold out Las Vegas show with a bank apparently robbed for real. The twists and reversals weren't just surprising, they were completely unbelievable.
And it looks like the final edit came after the director and all concerned were out of steam and over budget. For me though, it just lacks a further script rewrite to have become one of the best examples of the genre. While most of the major twists can be found out before revealed, there is still a joy in watching those twists unfold, thanks to Leterrier's Sherlock Holmes' style of visual deduction. It makes you want to go back and see it twice to understand it better, and just like all magic tricks, some of it can't be explained and you are left with no answer but to believe that what you saw was true. It felt like a cheat.